There is a new k-drama trend which could be good and bad. Networks are cutting down old series to rebroadcast on local OTT platforms.
Korea Times reported last year, Korean streaming service Wavve re-cut the 16-episode 2005 drama “My Lovely Sam Soon” into an eight-episode series titled “My Lovely Sam Soon 2024.” The updated version quickly topped Wavveʼs daily chart as the most-watched title by new subscribers on its release day. “I’m Sorry, I Love You,” a 2004 KBS2 drama in 2004 also returned last year through Wavve as “I’m Sorry, I Love You 2024.”
What is driving this wave of nostalgia? According to a spokesperson from Wavve, todayʼs viewers are seeking light, comforting content. “Thereʼs a growing trend toward simpler narratives. Older dramas have clear, even cliche, storylines — something that newer dramas often avoid. But that very simplicity feels fresh to younger audiences,” the spokesperson said.
The rise of streaming platforms has also played a crucial role in bringing these dramas back to light. Cultural critic Ha Jae-keun said, “In the past, even well-made dramas were difficult to revisit unless the networks aired reruns. But now, with OTT (over-the-top streaming) services, people can easily access older content. That convenience, paired with the quality of those dramas, is driving the trend. Watching older shows brings a kind of sentimental pleasure. That retro appeal is becoming part of pop culture itself,” he said.
Still, even the most beloved classics require thoughtful adaptation. The re-edited version of “My Lovely Sam Soon” removed outdated cliches and softened lines from the male lead Jin-heon, once dubbed a “bad guy” by viewers. Likewise, director Lee Hyung-min of “I’m Sorry, I Love You” said the updated version trimmed scenes that had been unnecessarily repetitive due to the original broadcast format. “We preserved the dramatic core while cutting what might now feel dated,” he said.
The production studios are trying to monetize their old IP which helps the bottom line in lean times. It also gives people a chance to see old, classic shows. (However, it will probably still be out of reach for international fans. I have found it hard to find old shows from my favorite actors.) The bad part is that the producers are seeing the value of cutting down 16 episode shows to 8. Tighter shows mean less production costs. It also could mean less time to fully develop characters and stories.